the gummy bear scene is one of the sure-fire cures for depression, in my opinion..
just like electric six’s golden debut, FIRE.
PERFECT.
i’m sure we’ll go into greater detail on this topic in the future but BREAKING FUCKING NEWS. first thing i noticed.. the electric six site is updated with FLASHY GRAPHIX! because electric six’s 5th album just came out this past week.. secondly.. the golden dogs are not touring with electric six and local H?!?!??!?!?!?!
“DETROIT, Oct. 14 — Electric Six regrets to announce today that due to circumstances beyond their control, our friends The Golden Dogs are unable to join Local H and us for any of the scheduled tour dates. This does not change the fact that we believe The Golden Dogs are the best live band we’ve ever seen.”
why?!?!? why?!?! WHY!!!!!!!!!!!!!!!!!!!!!!!!
“If you are in a band in any of the towns we are scheduled to visit, you may be doing the math and realizing that there are some open support slots available now. The decision for any bands that may be added to bills will be made by local venues and local promoters only. Neither Electric Six nor our booking agent, The Agency Group, will be involved in deciding who fills the vacant slots.”
there are 2 things i’m thinking.
1) FUCK. fuckfuckfuckfuckfuck. this was going to be one of the most insanely amazing shows EVER.
2) i wish THE GIRAFFES could fill the slot in NYC (11/22 @ webster hall). oh sweet baby jesus.
JDSklajsklaJSaklSjakl i don’t know what to say! this sucks so hard.
i hope all is well with the golden dogs!! sugar -n- thunder loves you!!!
EDIT/7.8.08
check this video from the NYC goldfinger show! you can’t see us cuz the shit is mad grainy BUT we’re totally there when you see everyone onstage singing mable!!!!!!!!!!! totally sweet! ok back to your regularly scheduled programming.. ;D
————-
WE FUCKING GOT ONSTAGE WITH GOLDFINGER LAST NIGHT AT ROSELAND BALLROOM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! WTF!!!!!!!!!!!
there’s no words to describe how awesome the concert was. they fucking OWNED it. insanely. they had so much energy, feldy was stage diving left and right, and aside from “get up,” they played THE OLD SHIT!!!!!!!!! starting with “spokeman” and ending with “99 red balloons” and with “open your eyes,” “san simeon,” “superman,” “my girlfriend’s shower sucks,” “here in your bedroom,” “counting the days,” “miles away” (!!!!!!!!!!!!!!!!!!!!!!!!!!), and of course “MABLE”! in the middle, which we got onstage for! insane. the crowd onstage was jumping around and holding feldy above their heads — he almost tumbled off but he fell onto captain lmfao, SWEET! BEST. SHIT. EVER!
the energy in the whole place was great, everyone was jumping and dancing and there was a circle pit.. AND a kid from the audience ate a twinkie out of someone’s a$$. delicious. i was laughing too hard to catch who it was, haha.. AND the opening bands were really entertaining as well, beginning with orange county’s suburban legends — who apparently have ridiculous(ly amusing?!) choreography added to their pop/ska/rock. madd points for originality, boys! seriously, though, they were totally fun. next up was boston’s westbound train, who brought soul and ska and reggae together with that awesome old school flavor. and soul, man, SOUL!!!!!!!!!! totally, totally, totally dug it.
you know what i loved about the whole thing? AUDIENCE PARTICIPATION! all three bands we saw that night (we didn’t get to stay for less than jake) got the audience involved with jumping and dancing and call-back singing and splitting the audience up to compete in echoing the lead singer. so fucking fun! a great combo of bands but together but without a doubt goldfinger OWNED IT. when a sharply dressed feldy screamed to everyone to JUMP THE FUCK UP, EVERYONE jumped the fuck up! their bassist, kelly, is also ridiculously entertaining to be in front of while they perform, hahah ;D
NEXT ON THE AGENDAAAA..
our perrenial favorites, THE GIRAFFES , are playing mccarren park on july 12th for the brooklyn kickball all-star weekend(!?!??!), in addition to a MUCH looked forward to rocks off concert cruise on august 29th! FUCK YES! in other news.. captain’s 21st birthday giraffes show @ bowery ballroom needs NO introduction but certainly many, many THANKS for heads rocked and lives changed ;D “finger the world, pain is temporary.. PRIDE IS FOREVER!!!” immortal words from drew and damien. <3 also, DEMANDER opened the show and were seriously fucking great! put them on your list of bands to see.
may we also recommend checking out these fucking fantastic brooklyn musicians.. LEO (alternative/electronica/IDM) and TRISTAME (rock/alternative/acoustic)?!?
AND nicole atkins sounds just like she does on CD live and in living color — saw her at the socrates sculpture park in LIC on july 17th. AMAZING. ohyesohyes.
ps OH MAN how could i forget, the golden dogs came back to NYC to play an, as always, AWESOME show at bowery on the 20th! lesson learned: never scream “BULLSHIT!” to a band without an explanation! ;D we also got the heads up on another totally fun and disco-ed out electro/rock band, heloise & the savoir faire, who we have yet to see live because of life suckiness, but is also on our list. ROCK!
okay so now it’s time for A BARRAGE OF RANDOM UPDATES!!!!!!!!!!
the golden dogs kicked ass at piano’s (158 ludlow at stanton) on the 20th! piano’s made for a nice little venue, decorated with long mirrors and HUGE pictures of tropical scenery. the bar in the front was packed to the HILT but through a glass door in the back is the stage area. there was a good turnout, which i was definitely happy to see, and the cap and i arrived to catch the middle/end of NYC band heavy rescue - the lead singer made me smile because you could tell that he loved being up there – he was belting out the lyrics off the mic even when it was the piano player’s turn to sing the vocals. they seemed proud of what they were doing, and it was cool.
the golden dogs took the stage as a four piece – dave azzolini on vocals and guitar, jessica grassia on keys and vocals, taylor knox on drums and stew keyduk on bass. neil quin, who we had met at the golden dogs’ electric six gigs last year, is no longer in the band (neil you rocked! take care, man!). i don’t know when the dogs will be back, but they rocked the shit out of NYC while they had the chance.
as we said to dave after the show, “you just spilled your guts all over the stage!” and they really did. the nervous energy is just radiating out of them, perhaps best exemplified in jessica’s bouncy piano playing! their set included ”birdsong,” “construction worker,” and “runouttaluck,” as well as a song the two of us hadn’t heard before called “painting ape,” the captain’s favorite, “dynamo,” and my favorite, “saints at the gates,” which got a particularly great crowd response. they of course took the opportunity to blow everyone away with their rendition of “nineteen hundred and eighty five,” which the captain later told me he never wants to end! the song is great on CD but when you hear it live and watch them drain that song for all it’s worth – classic concert moments, people.
the crowd shouted for an encore, but the dogs were beat – and i don’t blame them. the “golden dogs show is a bloodletting” comment certainly holds up. it was great to see them in NYC again, but even as they return to canada, keep an eye on these guys!
“indestructible” comes out june 3rd. one of the best shows i’ve ever been to was a disturbed show at nokia theatre not long after their last album, “ten thousand fists” came out. they posted two new songs from “indestructible” on their myspace – “inside the fire” and “perfect insanity.” i love the laugh at the beginning of “inside the fire”! on an initial listen it struck me as somewhat similar to their previous work, but it’s quickly growing on me. i’m just afraid that their new material won’t be so different from their old material, and that the lyrics won’t hit me as hard as they have in the past.
i’ve always loved disturbed for their unique take on rock/metal – the way they can be characterized as a metal band and can sing about darker subject matter, but they aren’t all doom and gloom about it. the subject matter they deal with on their second album, “believe,” has made for some of the most affecting songs i’ve ever heard. their exploration into the concept of BELIEF was amazing – “prayer”? “believe”? and the liner notes:
“In an age of nothing, at a time when we stand at the brink of our own destruction – strengthen your belief in yourself, in the future, in the things of this world which cannot easily be perceived. Awaken that which lies dormant now within your soul. Re-ignite the flame of your consciousness and measure the strength of your conviction. Reveal the lie. Renounce your hatred. Seek, find and embrace the truths you are fortunate enough to discover. Cherish them. Use them to anchor you in the sea of chaos that is the world we live in. When twilight draws near, when you are pushed to the very limits of your soul, when it seems that all you have left are the dead remnants of the fabric of your life – BELIEVE.”
that last line almost gives me chills. i’ve also always loved their great hooks, vocals, and lyrics – especially david draiman’s vocal style and his quick delivery of barrages of words, like at the end of “meaning of life,” one of my absolute favorite disturbed songs and perhaps one of my favorite songs EVER, or more recently on “pain redefined.” in thinking about the new album, i can’t forget how much their last one, “ten thousand fists” affected me when i first listened to it in.. 2005?? wow, can it be that long ago already?? anyway, i guess i’m just looking for that. i also still miss draiman’s various sounds and growls from the first album – they’ve appeared less and less over the years. in any case, i’d love to see them again and i’ll definitely be keeping tabs on the release of the new album.
next item of business! the giraffes‘ NYC homecoming show is nearing (april 12th @ mercury lounge) and i can’t fucking wait. on a recent blog, they linked to a GREAT new york press article by mishka shubaly (of beat the devil) about SXSW and the brooklyn bands – including the big sleep, freshkills, and the giraffes – that recently traveled to the festival to play. please read it if you have a chance – it’s awesome and funny but it also gets to the heart of things (involving making music, trying to get by financially, screwing around with your friends, and ultimately being human), and ends on a poignant and yet realistic note. read it!
while on the topic of giraffes articles, if you’d like to be informed about the latest of their endeavors, read this spankin’ new interview from losanjealous. i honestly can’t think of another band that gives such consistently entertaining interviews. the pictures are fucking great, too.
AND apparently lola staar’s dreamland rink opening attracted more attention than expected – over 900 people RSVP’d and ashanti and marisa tomei got added to the mix?! i can’t seem to find any word on whether or not the rink is going to be open for the rest of the summer. last time i checked it was, but i haven’t come across specific days/times. guess we’ll just have to go check it out – we missed the party (unfortunately!), but here’s a video and a recounting of the event from the gowanus lodge blog.
in other news..
what’s up with the lack of music venues in long island city? are there seriously some underground loft shows going on that i don’t know about, like there are in brooklyn?! c’mon people! i’ve seen shows advertised at dominie’s hoek and the pit at maric lanes (yep, a bowling alley), but i just saw on licpop that a LIC venue called the creek and the cave that previously featured live music isn’t going to anymore. hm.. what are the other venues in queens?! silent barn? ridgewood is kind of in both queens and brooklyn, as far as i know. i guess i’ll have to look into it.. it’s times like these that the captain and i wish we had the funds to start the venue we always dream about. maybe someday…
and just because his shit is ridiculous.. listen to pwrfl power. my initial reaction to his dainty little offbeat ditties was “..are you kidding?” but then he comes out with a line like “my dad used to beat me up because i was holding them wrong” in “chopstix song” and i had to laugh out loud. i also want to mention again how much i LOVE “love is a dog from hell” by pass kontrol. oh yeah oh yeah oh yeah.
until next time..
ROCK STEADY!
- audrey
edit/
goldfinger just posted another new song on their myspace and it’s fucking AWESOME! i honestly like it better than the other new one they posted.. the ska beat and horns are back, fuck YEAH! AND the lyrics are progressive/socially conscious.
they opened for electric six at their williamsburg music hall and bowery ballroom shows last year, and, well, to put it simply: these canucks rocked us hard. we bought their album big eye little eye at the show, which contains the standout tracks “dynamo” and “saints at the gates,” as well as the awesome paul mccartney cover “nineteen hundred and eighty-five.”
in any case.. we’ll have more on them after the show, but seriously, catch ‘em while they’re here – they’re from CANADA!
check out the golden dogs at piano’s @ 11 pm on march 20th.
“wanna taste it on my tongue
breathe it right into my lungs
taste the blood and sweat like wine
bite the fruit right off the vine
stretch out like you’re crucified
on the altar of my eye
resurrect my beaten soul
turn my metal heart to gold..”
also, check this blurb from the yep roc records site.. “saints at the gates” is a personal favorite of mine, starting from the first time i ever heard it, but now with the mention of tom waits and the quote “a golden dogs show is a bloodletting” (!!!!!!!!!!!), i couldn’t help but post it:
“Big Eye Little Eye is so rife with bright, hummable Beatles-esque melodies that even before you get to “Nineteen Hundred and Eighty-Five” at track nine it’s obvious Mr. McCartney couldn’t be very far out of Dave Azzolini’s mind, but perhaps not in the way you might think. “Saints at the Gates” sees The Golden Dogs leader paying tribute to one of his heroes by interpreting him through American music’s quintessential anti-hero. “‘Saints at the Gates’ is my attempt to write a McCartney song as if I were Tom Waits. I love them both so much and they’re so different I just thought there was no way that it wouldn’t be an interesting song.” Thematically, “Saints at the Gates” also brings the Big Eye Little Eye around full circle, back to the give and take between a band and their audience. “Lyrically that song is about the trading of energies during a show. We invite them to feed on our energy and in turn we feed on theirs. That’s where the vampire imagery comes from. A Golden Dogs show is a bloodletting.”
In many ways the unholy union of McCartney and Waits is a telling metaphor for The Golden Dogs’ musicality as a whole. Equal parts hook and hammer, the band seamlessly blends the addictiveness of classic pop craftmanship with enough grit and grease to make the music true rock n’ roll gospel – Sweet on the surface and dirty down below.”
fucking amazing. seriously, see these guys. based on sheer energy alone, you won’t be disappointed.