Time Travel and Men In Black

24 04 2011

The Fresh Prince of C.I.

Anyone who knows me knows I love are time travel and Coney Island. So apparently it must be the case that the writers of Men in Black 3 have tapped my dreams and laid them out as a plot line in the new Men in Black film. They’re not going back as far as I’d like (maybe 1920′s 30′s?) but apparently 1969, which is still pretty sweet. They’re also grabbing locals as extras (did people have pink hair in the 60′s?) .

Aside from rocking the time traveling, according to Amusing the Zillion, the crew of MIB3 are saving the ass of one of the oldest buildings in Coney, the Grashorn Building (dating to about the 1880′s). For the past 2 years the building has remained closed, adorned with a “THOR EQUITIES FOR LEASE” sign which might as well say CONDEMNED, if you follow developer Joe Shitt’s record.

Men in Black 3 is coming, hard.

-E

p.s. all this movie needs is a soundtrack by The Giraffes and I’ll Joe Shitt myself

UPDATE: 4/25/11 MIB 3 production pics

Again thanks to Amusing the Zillion for the update that MIB started setting up in Coney Island!

ONWARD! »»





Sean Colón takes on HDR Photography

23 02 2011

SNT comrade (photographer, videographer, SFX makeup specialist, horror enthusiast, adventurer!) Sean Colón is currently working on re-editing his photos as HDR (High Dynamic Range) Photos, as well as doing more photography of this type very soon. We thought we’d take this opportunity to look into HDR and share some of Sean’s awesome work and comparisons [click the photos to enlarge!].

What is HDR Photography?

Via the Wiki article: In image processing, computer graphics, and photography, high-dynamic-range imaging (HDRI or just HDR) is a set of techniques that allow a greater dynamic range of luminance between the lightest and darkest areas of an image than current standard digital imaging techniques or photographic methods. This wide dynamic range allows HDR images to more accurately represent the range of intensity levels found in real scenes, ranging from direct sunlight to faint starlight.

Via Trey Ratcliff of Stuck In Customs: HDR is short for High Dynamic Range. It is a post-processing of taking either one image or a series of images, combining them, and adjusting the contrast ratios to do things that are virtually impossible with a single aperture and shutter speed. [...]

When you are actually there on the scene, your eye travels back and forth, letting in more light in some areas, less light in others, and you create a “patchwork-quilt” of the scene. Furthermore, you will tie in many emotions and feelings into the imagery as well, and those get associated right there beside the scene. Now, you will find that as you explore the HDR process, that photos can start to evoke those deep memories and emotions in a more tangible way. It’s really a wonderful way of “tricking” your brain into experiencing much more than a normal photograph.

Here’s another HDR shot of Sean’s:

And just so you get the full effect, here’s two of his comparisons (shot in Brooklyn’s Green-Wood Cemetery):

ONWARD! »»





Love at First Fright: Sean Colón plays zombie master for ‘Dead of the Night’

30 11 2010

SNT comrade Sean Colón rocked out his special FX skillz earlier this month for a live interactive zombie performance called ‘Dead of the Night’. After the undead legion he helped create ran loose in a NYC art gallery, Sean shared some photos and notes on his experience with us.

Photos by Anastasiya Kizima.

It has always been a dream of mine to be able to do special FX and create my own horde of zombies. Little did I know that I would get that chance and so soon. On November 13, 2010 I had the wonderful opportunity to be part of ‘Dead of the Night,’ a reimagining of George Romero’s Night of the Living Dead, by Jillian Mcdonald.

Working with Jillian has always been a pleasure as she shares my love for zombies and other creatures of the night. So during my last year at Pace University when she asked me to assist her on a project I made sure I took that opportunity. It was at this point I realized that not only did I want to do photography, but video and special FX as well.

ONWARD! »»





SNT LIVE: The Birthday Massacre

25 10 2010

Our comrade SEAN COLÓN repped SNT (and QRO Mag!) when he sat down with Chibi (lead vocals) and Rainbow (guitars/programming/vocals) of Toronto-based synth-rock band The Birthday Massacre to discuss their new album, Pins and Needles, before they took the stage at NYC’s Highline Ballroom on September 10th. You can check out Sean’s interview below, but be sure to check out his kicka$$ set of photos by clicking HERE as well!

Take it away, Sean!

+ + +

From the start, the second I walk into the room I’m complimented by Chibi and Rainbow on my purple button-up shirt and purple watch. I already knew from that point on what an awesome interview I was going to get. The Birthday Massacre is a perfect example of what happens when you follow your dreams and do what you love. I definitely learned a lot from them and I think you will too…

SC: Welcome back to New York! How does it feel being back at the Highline Ballroom doing another show and during Fashion Week?

Chibi: Well honestly we love playing here. This is a really great club, everybody who’s here is really nice and it’s very well organized. We always look forward to playing here and in New York as well. We have a lot of good fans here and it’s going to be a good show. But yeah, Fashion Week, I don’t know, it seems like everything is a little crazy.

Rainbow: Yeah I haven’t really had a chance to experience enough of it to really know, but we like New York.

SC: So your fourth studio album Pins and Needles comes out in four days. What makes this album new and what makes you excited about it?

Rainbow: I think just the way we went about recording it was really fun, because usually as with the last couple of albums we’ve done we’ve recorded them – I wouldn’t say separately, but just the way the workspace is setup we usually have different little areas where we work. This time we did a bit of writing the way we did before. Then Mike [Michael Falcore, TBM’s other guitarist] and I went back to our hometown, cleared out a space in a basement and just worked together for about five or six months – it was a really cool process. Mike and I have known each other for a really long time so it was really cool to be able to work so closely with him over that period of time and really focus on the songs, especially in that environment in our hometown. It was like coming full circle. Before we sort of came back and worked on the vocal melodies and lyrics with that too.

One thing that we really wanted to do with this album – we had a pretty specific idea about how we wanted the album to sound and whatnot, so we wanted to have certain elements within the album that were consistent. The way we’ve recorded before was a little bit more haphazard and every drum sound was different, the guitars would sort of vary and [for this album] we just wanted to have certain threads that were sort of consistent throughout the whole thing. Like the rhythm guitar sound, we really wanted to find one main sound that we would accent and we could layer with other things, but really one sound that we were happy with, a consistent kit sound that we would add loops to, stuff like that. So the album has a consistent feel – we wanted to have a really dense, heavy, textural, larger than life feel. So that was really fun and we got to accomplish that.

Chibi: Was it really fun?

Rainbow: It was fun! I thought it was fun, in retrospect it was. I was stressing out a lot during the process though.

Chibi: There was some stress – we had a deadline that we had to meet. We got really stressed out and a friend of mine said that a lot of times out of the worst stress the most awesome creativity can come, and I think that was the case. But you know how it is, you get like “How am I going to do this? What are we going to do?” But it came together really, really well.

Rainbow: I think that’s the way we were. If you gave us ten years to do an album, we would still be rushing at the end. It’s like we need the due dates in order to set the fire under ourselves, otherwise we’ll take forever, you know.

SC: Yeah, I definitely know what you mean. How would you guys describe your music?

Chibi and Rainbow: Umm, I don’t know.

Chibi: Really good?

Rainbow: Really great? It’s the kind of stuff that we want to hear. We just write what we like.

Chibi: We all grew up all listening to a lot of different kinds of music, and we tried to put those different sounds in contrast, sometimes together into something that sounds really good to us and hopefully to other people.

Rainbow: We have pretty eclectic tastes; we have a wide range of stuff like on a mix CD or tape or whatever. The band was just a cool way to put those things together. It seemed sort of a natural, cool thing to do for us. It’s just a combination of all our influences. Hopefully it works – we don’t really over analyze it.

SC: My next question for you has to do with your new video for “In The Dark.” I noticed a lot of horror references and references to past album artwork. Was that something that was consciously included or was it something that just happened as you put ideas together?

Chibi: Yeah, I mean Mike – he’s our other guitar player – directed the video and so he had a lot of ideas for it, and this was the first time that the band has been in full control of the creative process of the video. We’ve always collaborated with an artist named Dan Ouellette. He’s got great ideas so we would always collaborate with him and mix ideas. But this time it was exactly what you were saying – we used a lot of the old imagery, and we like a lot of horror movies. There’s the bed at the end [note: the scene is reminiscent to Johnny Depp’s death scene in A Nightmare on Elm Street], there’s a lot of references like that.

Rainbow: Yeah, it’s very much a Birthday Massacre video.

Chibi: It was nice as well to have the opportunity to do that.

SC: I’ve noticed a lot of rabbits in both your album artwork and videos. Is this something that was originally just supposed to have been for the website?

Chibi: Sort of, it was like a transitional follow the rabbit through the areas of the website.

Rainbow: And then it just took on a life of its own, so we just brought it through.

Chibi: It’s become our trademark, it wasn’t planned at all.

Rainbow: It wasn’t something that we overanalyzed and calculated. A lot of times when you do something creatively you just do it.  I wouldn’t want to lie and say it was contrived beforehand.

SC: Are there any rabbits in the new album artwork or merchandise?

Rainbow: Yeah, we sneak them in.

Chibi: We have some new merchandise that we’ve conceptualized while we’re starting this tour and yeah, the rabbit’s there. We’re mixing it up a little, doing some different things with it but, oh yeah, it’s going to stick around for a while. But at the same time you don’t want to put a rabbit on everything, so some stuff doesn’t have a rabbit on it.

Rainbow: The rabbit ratio is always in flux (laughs).

ONWARD! »»





New World Order Employment Apps #002: SEAN COLÓN

20 09 2010

Introducing the next candidate to fill out SUGAR -N- THUNDER’s New World Order Employment Application: SEAN COLÓN!

Sean is a straight-up, kicka$$ media maker. He’s an avid adventurer in the storied realms of photo and video with a penchant for horror and a serious knack for special effects. To put it simply, the man’s got an eye for all that is awesome. From capturing historic Green-Wood Cemetery in haunting tones, to faux-wounding his subjects with striking realism, to churning out energy-filled snaps from the front row of rock shows, Sean is definitely a visual artist to know and watch. As he adds to his tattoo collection, expands his portfolio, and experiments with new techniques, Sean’s diving headfirst down the rabbit hole and there’s no telling what he’ll find…

Who I am & what I do:

I am Sean Colón and I do Photo/Video/Special FX.

Projects you should know about:

Sean Colón Photography: collection of Sean’s photos on Flickr

Bad Wolf: blog about tattoos and the stories behind them (in progress!)

Here’s some samples of his work [click to enlarge]:

The Survey:

1. What defines awesomeness to you? Being yourself and doing what you love most no matter what everybody else’s opinion is about it. Being a part of The Mike and Eric Show recently has really helped me to see that as well as inspire me. Not only have I been doing more photo and video but I’ve also laughed a lot more than I probably have my entire life.

2. Have you ever had a near-death experience? If by NDE you mean having my life flash before my eyes then no, but according to my parents I have come close to death. When I was little I had a bad kidney infection that if we had gone a little longer without having gone to the doctor I wouldn’t be here now answering these questions. Unless you’ve figured out how to channel my ghost through a computer =P

3. If you could be absolute ruler of the world for a day, what’s the first thing you’d do? I would buy the rights to Power Rangers and start doing the show the right way again, nothing like what Disney’s done to it. My version would definitely not be TV14.

4. What’s your guilty pleasure? It would probably be getting tattooed. I always think, “Ok this might be my last” but it never is. I already have 10 and I know that that number is going to continue to go up. They all say a little about me though. I try not to just get something because it looks nice.

5. What do you know now that you wish you knew as a teen/kid? I wish I would’ve known how fragile the mind and our memories are as well as my love for photography. My grandma has Alzheimer’s and I wish that I would’ve spent twice as much time with her and taken a lot more pictures than what I did. She always encouraged me and is a major reason I am who I am today. It would’ve been nice to have been able to invite her to a gallery opening or at least be able to tell her about it.

ONWARD! »»








Follow

Get every new post delivered to your Inbox.

Join 26 other followers